December 26, 2011 – 50° – Sunny and no snow – 4 to 6 inches of ice

No, that’s not me. It’s a speed skater checking the quality of the ice. Ultimately he decided that it was good enough to make it the 5 miles across Lake Minnetonka from Excelsior to Wayzata. The photo is a composite of 9 images, shot handheld, and blended together in Photoshop.
Below are some other shots of the day.
*The title of this post paraphrases Boris Pasternak (from Doctor Zhivago).
Darren R. Rousar studied privately with Richard Lack and attended Atelier LeSueur, both in Minnesota, as well as Studio Cecil-Graves in Florence, Italy. He was the assistant director and an instructor at Charles Cecil Studios in Florence, after which he became vice president of The Minnesota River School of Fine Art in Burnsville. He has been a professional artist for more than 20 years, focusing mainly on Christian themes. Darren is currently an art teacher, technology coordinator and the eLearning coordinator at Providence Academy in Plymouth, MN. He is the author of two books, Cast Drawing Using the Sight-Size Approach and Cast Painting Using the Sight-Size Approach. He also produced a companion DVD, Sight-Size and the Art of Seeing.
Needables from Amazon
The Adoration of the Magi, Velazquez (1619), Museo del Prado, Madrid, Spain. Now after Jesus was born in Bethlehem of Judea in the days of Herod the king, behold, wise men from the East came to Jerusalem, saying, “Where is He who has been born King of the Jews? For we have seen His star [...]
The painting shown above is van Dyck’s Portrait of Cornelis van der Geest, now in London’s National Gallery. He was around 20 years old when he painted it. After you’ve caught your breath, read on. The painting is just under life-size and I recall reading somewhere that van Dyck carted it around on his travels [...]
Anatomy study is extremely helpful to the figurative artist because knowing what one is looking at can help with correcting observational mistakes. Be aware however that any intellectual study, be it anatomical, form or construction carries with it the potential that the artist will over-think what they actually see. Over-modeling, via anatomy or form is [...]
A good visual memory is a must for representational artists. While it is debatable how much skill in this area we are born with, training or improving yours takes concerted effort. Two of my early teachers, Richard Lack and Annette LeSueur, both suggested that their students pursue memory drawing and this post provides the details. [...]
This post is part 2 in the series. Part 1 is here. Most are aware of the color differences between the camera, the monitor, the print and nature so I will expand on the obvious in future posts. Instead I am beginning with the seemingly subtle, for an artist who sees impressionistically, subtle is often [...]
I hope that the concern over whether to use photos or not never dies because the quality and role of an artist’s reference is of the utmost importance for a representational painter. But because of implied or assumed ethical issues these discussions seem destined to end like the ‘is Illustration a Fine Art’ discussions. Often [...]
Back when I was in atelier training students were initially taught cast drawing and then cast painting en grisaille (grayscale). From there we moved onto still life and so on, all via Sight-Size. Unfortunately my opinion of still life at the time was that it was time wasted, for I had very little desire to [...]
Through training and interest I am a figure painter who also dabbles in landscape. Normally that means portraits and religious figurative painting. But this summer I became interested in flesh of another kind, the insides of fruit and veg. Think about it, when does a painter get a chance to paint all those intense colors [...]
I just want to give a shout out for a blog of one of my former students, Matthew Collins. Of course he’s now a contemporary of mine and a marvelous one at that! Few of us paint religious scenes and Matthew Collins in one of them who does. Even if you’re not into religious art [...]
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Studio Rousar Blog Archives
Sight-Size
Sight-Size is a way of seeing and comparing nature to your artwork from a given distance. The books and DVD shown below explain it in detail.



Related To Studio Rousar
Studio Rousar Blogroll & Sites
- Allan Banks
- American Painting Video Magazine
- Aristos -An Online Review of the Arts
- ArtPhotoFilm
- BBC – Your Paintings
- Daniel Graves
- Eric Menzhuber
- Florence Academy Blog
- Gurney Journey
- J.R. Jerde
- Jason Arkles
- Julio Reyes
- Kate Lehman
- Kirk Richards
- Lines and Colors
- Marc Dalessio
- Matthew James Collins
- Michael Klein
- Paul Brown
- Paul Oxborough
- Richard Whitney
- Scott Lloyd Anderson
- Scribble Bibble
- Smart History
- Stapleton Kearns
- Stephen Gjertson
- The Angel Academy Blog
- Thomas Kegler
- Underpaintings
- Westwood Community Church
