There are numerous events which take place between the Annunciation and Christ’s birth. Elizabeth and John the Baptist, the angel announcing Christ’s birth to the shepherds, and the star and the wise men are the three main story lines. For now I am going to focus on His birth.
And it came to pass in those days that a decree went out from Caesar Augustus that all the world should be registered. This census first took place while Quirinius was governing Syria. So all went to be registered, everyone to his own city. Joseph also went up from Galilee, out of the city of Nazareth, into Judea, to the city of David, which is called Bethlehem, because he was of the house and lineage of David, to be registered with Mary, his betrothed wife, who was with child.
So it was, that while they were there, the days were completed for her to be delivered. And she brought forth her firstborn Son, and wrapped Him in swaddling cloths, and laid Him in a manger, because there was no room for them in the inn.
-Luke 2:1-7 NKJV
With the possible exception of scenes related to Christ’s crucifixion, the Nativity is the most painted New Testament story. These scenes tend to fall into one of three categories:
- The Holy Family
- The Shepherds adoring Christ
- The Wise Men presenting gifts
This post is centered on The Holy Family. But the fact is that it is not a literal part of the Biblical story. Nowhere in the Gospels do they mention, “Mary and Joseph looked in wonder upon the Child.” We assume, and I say rightly so, that this event would have happened. Imagine, nine months after the angel Gabriel announces that you (or your wife) is going to give birth to the Son of God, you do! Mary’s growing womb was likely enough proof for her and yet when the event actually took place the word wonder seems too small to describe it.
Tenderness and wonder are at the heart of what this story is about. The scene, minus the shepherds and wise men, was likely close to what happens all over the world every day. Of course there is only one Christ but beyond that mothers and fathers look on their newborns in much the same way that Mary and Joseph did, in awe.
Although not a nativity scene, one of the most touching family paintings is shown below, by John Dickson Batten, titled The Family. I am curious about the look on the mother’s face. Is her husband leaving soon, off to war perhaps? To me, Batten’s painting represents tenderness, wife to husband and vice versa.

I have done a few of these holy family scenes, most recently (almost a decade ago now) the one below. It is in a tondo format which means round or circular.

Below is an even older painting of mine, this time without Joseph.

Early on in the history of Christian art Mary was often portrayed in red (as I have done in my two paintings above). Red represents sacrifice and, at least in my paintings, is meant to represent the fact the her son was to be crucified. As you see above I tried to link the traditional Christmas color scheme, red and green, with these paintings.
Since the Renaissance Mary’s color has generally been blue. That blue, Lapis Lazuli, was used in those days because it was one of the most expensive colors. The expense was considered worthy however for the mother of God’s son. It wasn’t until the mid-1800′s that a less expensive artificial substitute was manufactured and this substitute is our modern-day ultramarine.
Darren R. Rousar studied privately with Richard Lack and attended Atelier LeSueur, both in Minnesota, as well as Studio Cecil-Graves in Florence, Italy. He was the assistant director and an instructor at Charles Cecil Studios in Florence, after which he became vice president of The Minnesota River School of Fine Art in Burnsville. He has been a professional artist for more than 20 years, focusing mainly on Christian themes. Darren is currently an art teacher, technology coordinator and the eLearning coordinator at Providence Academy in Plymouth, MN. He is the author of two books, Cast Drawing Using the Sight-Size Approach and Cast Painting Using the Sight-Size Approach. He also produced a companion DVD, Sight-Size and the Art of Seeing.
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The story, as written in Luke: Now in the sixth month the angel Gabriel was sent by God to a city of Galilee named Nazareth, to a virgin betrothed to a man whose name was Joseph, of the house of David. The virgin’s name was Mary. And having come in, the angel said to her, [...]
In the Gospels, the divinity of Christ is initially told to Joseph in a dream: Then Joseph her husband, being a just man, and not wanting to make her a public example, was minded to put her away secretly. But while he thought about these things, behold, an angel of the Lord appeared to him [...]
Two of my former art teachers, Richard Lack and Annette LeSueur, each asked me what I intended to paint with the training they would give me. I responded similiarly to both by saying that I wanted to paint not just every scene in the Bible but every thought or concept. I was fifteen or sixteen [...]
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Sight-Size is a way of seeing and comparing nature to your artwork from a given distance. The books and DVD shown below explain it in detail.



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